Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Darren, and Dave discuss the dubious merits of “Halloween Ends,” “Terrifier,” and the forthcoming “Black Adam” and “Ticket to Paradise,” and the unalloyed joy promised by a “Twister” sequel, at long last.

“Halloween Ends”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike discusses with Dave and Darren how Amsterdam delivered “weird diversions” (“Quirky, but not in a funny way”), as if it was a dozen different films playing out at once — which didn’t please Mike’s fellow-watchers — but probably deserves a second viewing; and the adaptation of Lyle, Lyle, Crocodile, “obnoxious in the way of most Hollywood children’s movies,” though Javier Bardem performs a “comically alert” performance, a million miles away from Anton Chigurh. Also, hopes that Halloween Ends is true to its advertizing. . .

“Amsterdam” and “Lyle, Lyle, Crocodile”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Darren, and Dave discuss Smile‘s effectiveness as well as its profitability (contrasted with the reboot “Jeepers Creepers: Reborn”) and Bros‘s effectiveness despite its box office.

“Bros,” “Smile,” and “Jeepers Creepers: Reborn”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Dave, and Darren discuss how “Don’t Worry Darling” is kind of a “Stepford Wives”-type of film, neither offensively bad nor grippingly good; how the David Bowie doc “Moonage Daydream” was “really repetitive, which kind of bothered [Mike],” despite awesome performance footage; and how “Luck” is a generic kiddie film with a really solid premise and troublesome voice-casting decisions. And Mike’s blanket love of movies is OVER! YES!

“Don’t Worry Darling,” “Moonage Daydream,” and “Luck”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Dave, and Darren discuss why Mike has been liking practically everything he’s seen lately (exaggeration); how “The Woman King” has rightfully received critical and commercial acclaim; how “God’s Country” is tight and intense, and you should catch it when it streams because it’s left the cinemas; how “See How They Run” is a fun real-world mirror of the plot points to Agatha Christie’s “The Mousetrap”; how “Pearl,” a prequel to the movie “X,” looks like a Fifties Technicolor melodrama set during the Spanish flu epidemic (description, not judgment); and “Confess, Fletch” (also gone), with Jon Hamm’s comedic range on full display.

“The Woman King,” “God’s Country,” “See How They Run,” “Pearl,” and “Confess, Fletch”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Dave, and Darren discuss how “Barbarian” leaves you asking “What’s going on?” so many times that your neighbors will think you’re Marvin Gaye — but nevertheless manages to reflect well upon writer/director Zach Cregger; and the Czech-epic (Czechpic?) “Medieval,” which might also be called “Bohemian Bravehart”. . .

“Barbarian” and “Medieval”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Dave, and Darren discuss Mike’s torn feelings re “Gigi & Nate,” as it’s “both better and worse than what [he] though [he] expected”; and how Regina Hall steals all her scenes in the mockumentary “Honk for Jesus. Save Your Soul,” about an embattled Baptist church’s dubious rebirth.

“Honk for Jesus. Save Your Soul” and “Gigi & Nate”

Podcast: Play in new window | Download | Embed

Subscribe: Android | Blubrry | Podcast Index | RSS

Mike, Dave, and Darren discuss Tilda Swinton and Idris Elba’s magical chemistry (or chemical magic); how “Breaking” is like “Dog Day Afternoon,” “but not fun” — not even with Michael Kenneth Williams present; and how “The Invitation”’s $6.8M weekend take-in seemed about right, considering how ridiculous it is.

“Three Thousand Years of Longing,” “Breaking,” and “The Invitation”